Bearfoot Beware officially released Bruises & Business today. Fans
of alternative rock will probably enjoy their ever-changing influences
borrowed tastefully from other sub-genres. Other listeners might not
appreciate those unpredictable subtleties, despite the three-track album
being generally accomplished throughout.
'Trellum' is a
competent opener but the beginning and ending arguably lack depth. In
between it is enjoyable enough; vocals play a supporting role and give
the instrumental blending a chance to shine.
'Fox Boy' is
noticeably better and makes an immediate impact with yo-yoing sections
that conflict the mind and body. In some parts, now subdued instruments
let Tom Bradley's tormenting vocals bellow. The rhythms in this song are
also a highlight; gritty, yet catchy but consistently edgy enough not
to enter mainstream territory.
Finally 'My Love Is A Seagull'
offers a higher pitch that initially feels like self deprecating sarcasm
but gives way to contrasting deeper tones, which eventually create
marching-style ominous foreboding. After a jolting transition, the
lighter mood returns for a relatively welcoming conclusion.
Overall,
their third offering is an unapologetically peculiar set that doesn't
hold your hand in the slightest. If you can overcome this you might be
rewarded by the groups admirable quest to never rest on their laurels.
Official Bearfoot Beware website
Add the band on Facebook
Follow them on Twitter
Listen to (or buy) Bruises & Business EP
Wednesday, 2 October 2013
Wednesday, 11 September 2013
Dave Pilla // More Than Hoped For EP
Dave Pilla
makes a triumphant return with his second release 'More Than Hoped For
EP'. This long overdue follow-up is another sterling effort that
perfectly compliments and arguably
develops his earlier style.
Fans of Bon Iver will probably notice some unintentional similarities in opener 'Doing Wrong'. Chilled out, soaring harmonies allow listeners to sit back and enjoy the serene atmosphere. An experimental falsetto approach is welcome, noticeably different and thankfully never becomes too gimmicky.
'The Fields' offers decent quality with gradual tempo shifts and a reminiscent aura helped along by the consistent but subtle guitar. The last minute is most interesting when a sudden burst sees it through to an unexpectedly dynamic finish.
'Hollow Days' is the strongest song because of two major strengths - effective storytelling and intermittent yet memorable percussion. The djembe (West African drum), shakers and other instruments are used to express powerful emotions. These begin with frustration, develop into conflict and calmly transition into acceptance of an unsuitable relationship that has reached its natural end.
Finally, 'More Than Hoped For' is also exceptional but just a touch below 'In my sole', the epic concluding track from his debut EP. The sweeping structure returns and delivers throughout for an impressive ending.
Dave can sometimes be found busking around Albion Street, Leeds and Church/Lord Street, Liverpool. Hopefully, the success of this EP has allowed him to banish writer's block for good. With further inspiration and confidence in his abilities, fans will pray they won't have as long to wait for what promises to be an excellent third instalment.
Follow Dave Pilla on Twitter
Listen to (or buy) More Than Hoped For EP
Listen to (or buy) Dave Pilla EP
Fans of Bon Iver will probably notice some unintentional similarities in opener 'Doing Wrong'. Chilled out, soaring harmonies allow listeners to sit back and enjoy the serene atmosphere. An experimental falsetto approach is welcome, noticeably different and thankfully never becomes too gimmicky.
'The Fields' offers decent quality with gradual tempo shifts and a reminiscent aura helped along by the consistent but subtle guitar. The last minute is most interesting when a sudden burst sees it through to an unexpectedly dynamic finish.
'Hollow Days' is the strongest song because of two major strengths - effective storytelling and intermittent yet memorable percussion. The djembe (West African drum), shakers and other instruments are used to express powerful emotions. These begin with frustration, develop into conflict and calmly transition into acceptance of an unsuitable relationship that has reached its natural end.
Finally, 'More Than Hoped For' is also exceptional but just a touch below 'In my sole', the epic concluding track from his debut EP. The sweeping structure returns and delivers throughout for an impressive ending.
Dave can sometimes be found busking around Albion Street, Leeds and Church/Lord Street, Liverpool. Hopefully, the success of this EP has allowed him to banish writer's block for good. With further inspiration and confidence in his abilities, fans will pray they won't have as long to wait for what promises to be an excellent third instalment.
Follow Dave Pilla on Twitter
Listen to (or buy) More Than Hoped For EP
Listen to (or buy) Dave Pilla EP
Thursday, 8 August 2013
My holiday in Newcastle
22nd-25th July, 2013
On Monday afternoon as our train crossed the river Tyne, me and my partner took in the splendid sight of a bustling urban area and seven magnificent bridges. In his recent speech about fracking, Lord Howell created a lot of controversy with just one word. Sorry to contradict Guildford's Tory peer but our view of this lively North East city was anything but 'desolate'.
We stayed at the Waterside hotel, situated in the Quayside area. Our standard room was comfortable and clean but poorly ventilated. Fortunately the staff were friendly from morning till night, nothing was too much trouble. Breakfast was cooked just the way we wanted it, DVD's were available from reception and Nick provided excellent bar service. Highly recommended because little things done right and an excellent location made all the difference.
Nearby, the Castle Keep was value for money at just £4 each. An unfinished staircase, deep well and passages to the garderobe (medieval toilet) certainly gave it a quirky feel. The view from the top was awesome in all directions and helpful signs allowed us to identify distant landmarks with ease.
Next morning, we boarded the excellent metro system towards Whitely Bay. Leeds desperately needs an identical rapid rail transit network because the New Generation Transport trolleybus proposals are a second rate solution. At the coast, untimely downpours and borderline dilapidated buildings created a bleak atmosphere that temporarily hindered our spirit of adventure.
Down the coastline, Blue Reef Aquarium showcased an impressive array of weird and wonderful creatures for an affordable price (£9 each). The weather by this point had improved so we headed to the beach and devoured a delicious portion of fish and chips. Later on, King Edward's Bay, the stunning castle background and Tynemouth high street provided a picturesque ending to a very satisfying seaside trip.
Wednesday was a day of culture. Listed building Bessie Surtees house told tales of 'Cock's canny hinnies' and left me wanting more rooms to explore. Hancock museum entertained with its remarkable range of animals but their monstrously large Tyrannosaurus specimen was my personal favourite. Discovery museum was also interesting and taught us plenty about Newcastle's rich history.
As for pubs, Crown Posada had a charming character and snug atmosphere to match. In Ouseburn The Tyne Bar's location, scenery and decoration were all aesthetically engaging. Free Trade Inn had the most plentiful and creative graffiti I've ever seen in a pub toilet. Thankfully, their award winning cider hit the spot after our long walk.
Finally on Thursday, we left England's northernmost city with a bitter-sweet feeling, many happy memories and tall tales to tell. The Stand comedy club, Newcastle music scene and countless places of cultural interest remain unexplored so a second visit could definitely be on the cards. Maybe then, I'll finally see more than just a fleeting glimpse of the iconic Angel.
I am now a member of twitter. The link to my page is below.
https://twitter.com/philipregan1986
On Monday afternoon as our train crossed the river Tyne, me and my partner took in the splendid sight of a bustling urban area and seven magnificent bridges. In his recent speech about fracking, Lord Howell created a lot of controversy with just one word. Sorry to contradict Guildford's Tory peer but our view of this lively North East city was anything but 'desolate'.
We stayed at the Waterside hotel, situated in the Quayside area. Our standard room was comfortable and clean but poorly ventilated. Fortunately the staff were friendly from morning till night, nothing was too much trouble. Breakfast was cooked just the way we wanted it, DVD's were available from reception and Nick provided excellent bar service. Highly recommended because little things done right and an excellent location made all the difference.
Nearby, the Castle Keep was value for money at just £4 each. An unfinished staircase, deep well and passages to the garderobe (medieval toilet) certainly gave it a quirky feel. The view from the top was awesome in all directions and helpful signs allowed us to identify distant landmarks with ease.
Next morning, we boarded the excellent metro system towards Whitely Bay. Leeds desperately needs an identical rapid rail transit network because the New Generation Transport trolleybus proposals are a second rate solution. At the coast, untimely downpours and borderline dilapidated buildings created a bleak atmosphere that temporarily hindered our spirit of adventure.
Down the coastline, Blue Reef Aquarium showcased an impressive array of weird and wonderful creatures for an affordable price (£9 each). The weather by this point had improved so we headed to the beach and devoured a delicious portion of fish and chips. Later on, King Edward's Bay, the stunning castle background and Tynemouth high street provided a picturesque ending to a very satisfying seaside trip.
Wednesday was a day of culture. Listed building Bessie Surtees house told tales of 'Cock's canny hinnies' and left me wanting more rooms to explore. Hancock museum entertained with its remarkable range of animals but their monstrously large Tyrannosaurus specimen was my personal favourite. Discovery museum was also interesting and taught us plenty about Newcastle's rich history.
As for pubs, Crown Posada had a charming character and snug atmosphere to match. In Ouseburn The Tyne Bar's location, scenery and decoration were all aesthetically engaging. Free Trade Inn had the most plentiful and creative graffiti I've ever seen in a pub toilet. Thankfully, their award winning cider hit the spot after our long walk.
Finally on Thursday, we left England's northernmost city with a bitter-sweet feeling, many happy memories and tall tales to tell. The Stand comedy club, Newcastle music scene and countless places of cultural interest remain unexplored so a second visit could definitely be on the cards. Maybe then, I'll finally see more than just a fleeting glimpse of the iconic Angel.
I am now a member of twitter. The link to my page is below.
https://twitter.com/philipregan1986
Wednesday, 15 May 2013
The Soul Circle Gang @ The Smokestack
26/4/13
After reviewing The Soul Circle Gang's 'Live In Session' compilation for No-title magazine the group fittingly invited me to Smokestack for the launch of their latest single 'Fresh Fruit'.
The 'warm, intimate venue' described in my previous review was unusually stuffy, hot and overcrowded on a busy Friday evening. Sweaty surroundings made it harder to appreciate the music and for many people the poor visibility considerably reduced the enjoyment. My partner left early, overheated and fed up of being knocked into. Charging a small fee for upstairs entry might have helped ease some of these irritations.
Those who endured these problems were rewarded early on with 'Ghosts in the Night', which garnered a favourable response. The high energy brass and improvised vocals were extremely compelling.
After reviewing The Soul Circle Gang's 'Live In Session' compilation for No-title magazine the group fittingly invited me to Smokestack for the launch of their latest single 'Fresh Fruit'.
The 'warm, intimate venue' described in my previous review was unusually stuffy, hot and overcrowded on a busy Friday evening. Sweaty surroundings made it harder to appreciate the music and for many people the poor visibility considerably reduced the enjoyment. My partner left early, overheated and fed up of being knocked into. Charging a small fee for upstairs entry might have helped ease some of these irritations.
Those who endured these problems were rewarded early on with 'Ghosts in the Night', which garnered a favourable response. The high energy brass and improvised vocals were extremely compelling.
Later on the cover
of Black Box's 'Ride on Time' was exceptional. Lara Rose's take on
Loleatta Holloway's classic vocals showed off one of her many
inspirations. 'Music is my Mistress' was much better hearing the
instruments live and really pumped up the crowd. The now energetic
audience was dancing wildly throughout with passion for the finale and
much appreciated encore.
Afterwards, 'gang' member Joe Kemp revealed their many influences include punk, afrobeat, reggae and soul. He claims they never have problems blending the ideas of multiple personalities because of their mutual 'dark sense of humour' and are looking at mixing even more styles to create a more sophisticated sound.
The talkative chap kindly dropped off a copy of the new single to my flat, which also features sensual 'Umbrella of Life' as the bonus track. Highlights of 'Fresh Fruit' included its pleasant tempo, easy listening vibe and quirky sense of fun. Sadly, the rotten lyrics felt like forceful filler and took me out of the flow slightly.
The sheer diversity on offer can often be their greatest detriment because it is impossible to please everyone all the time. On most occasions though, they manage to accentuate the positives and ever present selfless collaboration remains an important, trademark strength.
The band wished to be taken more seriously around the end of 2011. If they can keep improving and finding fresh influences, this aim will be achieved in the upcoming months and beyond. Their music will no doubt continue to evolve and innovate, attracting fans of many genres in the process. Let's hope comedy does indeed keep this group and their future members together long into an ambitious future.
Click here to check out The Soul Circle Gang's website
Afterwards, 'gang' member Joe Kemp revealed their many influences include punk, afrobeat, reggae and soul. He claims they never have problems blending the ideas of multiple personalities because of their mutual 'dark sense of humour' and are looking at mixing even more styles to create a more sophisticated sound.
The talkative chap kindly dropped off a copy of the new single to my flat, which also features sensual 'Umbrella of Life' as the bonus track. Highlights of 'Fresh Fruit' included its pleasant tempo, easy listening vibe and quirky sense of fun. Sadly, the rotten lyrics felt like forceful filler and took me out of the flow slightly.
The sheer diversity on offer can often be their greatest detriment because it is impossible to please everyone all the time. On most occasions though, they manage to accentuate the positives and ever present selfless collaboration remains an important, trademark strength.
The band wished to be taken more seriously around the end of 2011. If they can keep improving and finding fresh influences, this aim will be achieved in the upcoming months and beyond. Their music will no doubt continue to evolve and innovate, attracting fans of many genres in the process. Let's hope comedy does indeed keep this group and their future members together long into an ambitious future.
Click here to check out The Soul Circle Gang's website
Wednesday, 20 March 2013
Dan Audio // Kilo Kish // The Internet @ The Brudenell Social Club
12/3/13
The line-up at the Brudenell Social Club promised so much on paper. One talented local group was supporting two highly hyped American imports back for their second tour. My anticipation was building before the event and two contrasting questions stood out. Did Dan Audio have enough in their repertoire to deliver a show-stealing performance in the opening slot? Or would the Yanks make an impact and justify their status on the bill?
The answer to the first question at least was crystal clear. Foursome Dan Audio have undeniably increased in ability, range and confidence since being unfairly snubbed at the Futuresound 2012 competition last June.
Their set opened with the smooth rhythms of 'Serious', a prophetic type song with Dan's hard-hitting lyrics ('banks and the buildings will fall'). 'Morning Star' was more optimistic and beautifully blended, which created an upbeat atmosphere. 'Reaching Out' was my partner’s favourite, featuring gorgeous high notes from backing singer Lynsey Cawthra. Finally 'Freedom' was a perfect finale, the audience reaction suggested that they wouldn't have minded an impromptu encore.
The group also played the single 'Age of Information' from their new EP of the same name. I'd encourage all my readers to check out their music (if you can't make it to see them live). It will be interesting to see how they incorporate their new music into future live shows.
The bar was now raised and the answer to the second question was murky and inconclusive depending on your tastes but I wasn't impressed.
The first of the American imports Kilo Kish, disappointed from the start; her excessive arrogance mixed uneasily with unnecessary swearing. It got worse because the only thing worthy of note early on were the skimpy outfits; the backing dancer in particular provided some form of sex appeal to the horny inebriated. If the music had a message it was very difficult to understand because of the leads mouth positioning in relation to the microphone.
It wasn't all bad, lighting effects matched the beat throughout their set, which got people dancing enthusiastically. Also worthy of praise was the sincere, authoritative DJ who carried the group somewhat. The repetitive 'talk style' singing had plenty of attitude, decent flow but no substance and drew a well deserved, painful, lukewarm response.
The second import act on the show was The Internet, a five-piece with a dual keyboard set-up. The singer provided soulful tones; guitars were deep and the keyboards added layers and were a highlight. Initially, the crowd seemed to tune into the vibes and appreciated the dreamy and hypnotic instrumentals but the lack of journey in the song lyrics was a major turn off.
Eventually they reached the point of no return when the ideas truly dried up. The music devolved into sleepy and lengthy well before the boring conclusion. If the keyboard player had contributed vocally on more songs it would have raised the mood considerably. As the ironically titled 'Patience' played, the burned out crowd dispersed. Some seemed bemused, rightly wondering what all the fuss was about.
Thursday, 7 March 2013
Saints/Leeds @ Langtree Park
Saint Helens (12) Leeds Rhinos (20)
1/3/13
1/3/13
Before Friday, my last experience of supporting Leeds Rhinos live was at Old Trafford for the 2009 Grand Final. On that glorious October evening, Captain Kevin Sinfield led his team to a tight 18-10 victory over arch rivals Saints. With that memorable performance, Leeds made the record books by becoming the first Super League club to win the championship three years in a row.
Despite happy reminiscing, the atmosphere approaching Langtree Park
Sinfield opened the scoring with a penalty but shortly afterwards Lomax responded with a try out of nowhere. In those early, nervy moments Leeds fans might have been forgiven for thinking another drubbing was imminent in the style of the 46-6 defeat one year earlier.
Thankfully Rhinos recovered with another penalty kick and a Ryan Hall try to take a slight 8-4 lead into the half time break. At this point, a flood of fans arrived from the West Yorkshire side of the M62 and the noise levels rose considerably.
Vitalised by the increase in supporters, Leeds rallied. Their quality passing produced two further tries from Hall and Kylie Lealuai and at 20-4 up with sixteen minutes left the game was all but over. Sloppy defending gifted Saints two tries and the hope of a comeback. Fortunately Turner seemed to be put off by the wall of noise as he missed his conversions and the chance to add further pressure.
Leaving the ground, both sets of supporters could be overheard saying they made the other side look good. On reflection, that was a fair assessment because Saints seemed out of form but Rhinos failed to punish them as much as they could have done. It was hardly a classic performance when judged by the high standards of previous encounters.
Attending live rugby league was and still is an enjoyable, positive and safe experience. Supporting your team is much more affordable when compared to the cost of following a football team. After taking three trains and a taxi home it struck me how important the personal memories are. I witnessed Leeds break the five-year hoodoo, which will stay with me for some time to come.
Looking forward, this result should give Leeds great confidence going into their clash tomorrow with league leaders Huddersfield . There are many areas still to improve on but the passionate Headingley crowd should see them edge out a win – if their defence is on top form.
I believe fans want to see the days again of winning the league leaders shield, not battling through four gruelling rounds to win from fifth place. The players need to give 100% in the regular season to achieve this but maintaining performances like this throughout the upcoming months is a cautiously optimistic starting point.
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